Earlier this week I read the novel “Silence”, by Shusako Endo, and yesterday I watched the eponymous newly-released movie based on this novel.
Endo’s 1966 novel tells the story of a Portuguese Jesuit priest, Sebastiao Rodrigues, who travels to Japan together with a fellow priest, to find out what happened to their mentor, Father Ferreira, with whom the church had lost contact. This is 17th century Japan, when Christianity is outlawed and Christians are being persecuted by the ruling Shogunate.
Guided by a drunkard and unreliable Japanese Christian, Rodrigues and his partner land on an island off the coast of Kyushu and find refuge in a remote village of hidden Japanese Christians. They witness the hardships these peasants need to endure, suffering torture and death and yet refusing to renounce their faith and apostatize. The Jesuit priests flee from the authorities but are eventually captured and tortured by the local inquisitor. Rodrigues meets Ferreira and finds out what happened to him.
“Silence” here refers to the silence of God. Rodrigues’ faith is tested when he witnesses, again and again, the unbelievable sufferings of these humble Japanese peasants. He cries out for God to intervene but is answered with silence. This silence shakes him to the core and leads to internal struggles and to interesting theological exchanges with his Japanese inquisitors.
The novel is very engaging and the movie, directed by Martin Scorsese, is a faithful representation of the novel. At almost 3 hours long, and given its content, it is not an easy movie to watch. But reading the novel first helped, because knowing the story ahead of time allowed me to focus on the acting and the filmography. At times I felt as if I was watching a painting rather than a movie.
Earlier this month I visited Kyushu for the first time, and witnessed firsthand the Christian legacy in Japan. I was introduced to this painful time in history through the memorial for the 26 martyrs on Nishizaka hill in Nagasaki, and the artifacts from the Shimabara Rebellion at the local castle (an event which triggered the brutal repression of Japanese Christians depicted in the novel). Endo’s book and Scorsese’s movie both resonated strongly with me after this visit.